ºñ¹ßµð : »ç°è & ¹ÙÈå : ¹ÙÀ̿ø° ÇùÁÖ°î ; Bach: Violin Concertos & Vivaldi: The Four Seasons [2CD]
»óÇ°ºÐ·ù Ŭ·¡½Ä(Classics)
Á¦Á¶»ç Eloquence
Á¦Á¶±¹ Australia
°íÀ¯¹øÈ£ 4825091
ÃÑÆòÁ¡ -  [°¨»ó±â ÀÛ¼º]
ÆǸŰ¡ 18,200¿ø
Àû¸³±Ý 182¿ø
Ä«µå°áÁ¦ [¹«ÀÌÀÚÇҺξȳ»] (À§Å¹/Áß°íÁ¦Ç°Àº Ä«µå°áÁ¦ ¹ÌÀû¿ë)
¹è¼Ûºñ 3,000¿ø (50,000¿ø ÀÌ»ó ±¸¸Å½Ã ¹«·á)
ÁÖ¹®¼ö·®
  • ½ºÆ®¶óµð¹Ù¸®¿ì½º·Î ¿¬ÁÖÇÏ´Â ºñ¹ßµð »ç°è(2CD)
  • ºñ¹ßµð: »ç°è/ ¹ÙÈå: ¹ÙÀ̿ø° ÇùÁÖ°î 1¹ø, 2¹ø,¹ÙÀ̿ø°°ú Çö¾ÇÀ» À§ÇÑ ÇùÁÖ°î BWV1052, 1056, 2´ëÀÇ ¹ÙÀ̿ø°°ú Çö¾ÇÀ» À§ÇÑ ÇùÁÖ°î BWV1043, ¿Àº¸¿¡, ¹ÙÀ̿ø°, ÇöÀ» À§ÇÑ ÇùÁÖ°î BWV1060
  • Salvatore Accardo(violin) Douglas Boyd(oboe) Chamber Orchestra of Europe, I Solisti di Napoli
  • 1987³â ÀÌÅ»¸®¾Æ Å©·¹¸ð³ª¿¡¼­ ¹ÙÀ̿ø° ¸íÀå, ½ºÆ®¶óµð¹Ù¸®¸¦ ±â³äÇÏ´Â ¿ª»çÀû ¿¬ÁÖȸ°¡ °³ÃֵǾú´Ù. ´ç½Ã È­Á¦¸¦ ¸ð¾Ò´ø, ¾ÆÄ«¸£µµ¿Í ÀÌ ¼Ö¸®½ºÆ® ³ªÆú¸®ÀÇ ¿¬ÁÖ. µ¶ÁÖ ¹× ¾Ç´ÜÀÇ ¹ÙÀ̿ø°, ºñ¿Ã¶ó, ÿ·ÎÀÇ ¾Ç±â ¸ðµÎ°¡ ½ºÆ®¶óµð¹Ù¸®¿ì½º·Î¸¸ ¿¬ÁÖµÈ »ç»ó ÃÊÀ¯ÀÇ ¿¬ÁÖȸÀÌ´Ù.
  • ¾ÆÄ«¸£µµ´Â º½¿¡¼­´Â ¡®ÀÏ Å©·¹¸ð³×¼¼(1715)¡¯ ¿©¸§¿¡´Â ¡®¿¢½º-¶óÀÌ´Ï¿¡(1727)¡¯ °¡À»¿¡´Â ¡®ÆÄÀ̾î¹öµå(1718)¡¯ °Ü¿ï¿¡´Â ¡®Çϸ£Æ®(1727)¡¯¸¦ ¹ø°¥¾Æ ¿¬ÁÖÇÑ´Ù. ÀÌÁß 3°³´Â ¾ÆÄ«¸£µµ°¡ ¼ÒÀ¯ÇÑ ¾Ç±âµé·Î, °¢ ¾Ç±âÀÇ Æ¯¼ºÀ» Àß ÀÌÇØÇÏ°í ÀÖ´Â ¾ÆÄ«¸£µµÀÇ ¿¬ÁÖ¿¡´Â ¼Õ»öÀÌ ¾ø´Ù. ÃÖ±Ù À¯ÇàÇÏ´Â ÀÚ±ØÀûÀÌ°í °­·ÄÇÑ »ç°è¿Í´Â °áÀÌ ´Ù¸¥, ÀÌÅ»¸®¾ÆÀû ¿©À¯¿Í ³¶¸¸ÀÌ ´ã±ä ¾Æ¸§´Ù¿î ¼±À²ÀÇ »ç°è·Î, ºñ¹ßµð°¡ º»·¡ ±×·È´ø »ç°èÀýÀÇ ¸ð½ÀÀÌ ÀÌ·¯ÇßÀ¸¸®¶ó »ý°¢µÈ´Ù.
  • ±×¸®°í, ¹ÙÈå°¡ ³²±ä ¹ÙÀ̿ø° ÇùÁÖ°î 2°î(BWV1041,1042)°ú 2´ëÀÇ ¹ÙÀ̿ø°À» À§ÇÑ ÇùÁÖ°î BWV1043, ¿Àº¸¿¡¿Í ¹ÙÀ̿ø°À» À§ÇÑ ÇùÁÖ°î BWV1060¿¡ ´õÇÏ¿© ¹ÙÀ̿ø°À» À§ÇØ Æí°îµÈ BWV1052,56(¿ø°î ÃÀ¹ß·Î ÇùÁÖ°î)µµ ¼ö·ÏµÇ¾î ÀÖ´Ù.
  • [ ¼ö ·Ï °î ]




    Bach, J S
    Keyboard Concerto No. 1 in D minor, BWV1052
    arr. by Salvatore Accardo as Concerto for Violin, Strings and Continuo
    Violin Concerto No. 1 in A minor, BWV1041
    Violin Concerto No. 2 in E major, BWV1042
    Concerto for Two Violins in C minor, BWV 1060
    Concerto for Two Violins in D minor, BWV1043
    Violin Concerto in G minor, BWV1056

    Vivaldi
    The Four Seasons
    I Solisti di Napoli



    Gramophone Magazine December 1988 (Vivaldi)
    ¡°This is a recording that happily bridges the divide between ¡°middle of the road¡± and ¡°authentic¡± and one that should please devotees of either species; it conveys, vividly but not theatrically, the spirit of the music ? and without misrepresentation.¡±