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    PUAL HINDEMITH

    SACD 1
    1. Sonata for Viola & Piano in F major, Op. 11 No. 4 (1-3)
    2. Sonata for Solo Viola, Op. 11 No. 5 (4-7)
    3. Sonata for Solo Viola, Op. 25 No. 1 (8-12)
    4. Sonata for Viola and Piano, Op. 25 No. 4 (13-15)

    SACD 2
    1. Sonata for Solo Viola, Op. 31 No. 4 (1-3)
    2. Sonata for Solo Viola (1937) (4-6)
    3. Sonata for Viola and Piano in C major (1939) (7-10)


    Tabea Zimmermann, viola 
    Thomas Hoppe, piano)


    Èùµ¥¹ÌÆ®: ºñ¿Ã¶ó ÀÛÇ° ÀüÁý 2Áý - ¼¼ °îÀÇ ºñ¿Ã¶ó ¼Ò³ªÅ¸¿Í ³× °îÀÇ ¹«¹ÝÁÖ ºñ¿Ã¶ó ¼Ò³ªÅ¸
    Ÿº£¾Æ ħ¸Ó¸¸(ºñ¿Ã¶ó), Å丶½º È£Æä(ÇǾƳë)



    The Observer, 23rd March 2014 ****

    ¡°Hindemith is blessed with exceptional interpreters. They command you to listen.¡±

    BBC Music Magazine, May 2014 *****

    ¡°Considered individually, Zimmermann's performances face competition from other leading exponents, but as a whole, her survey of this music is hard to beat...she captures the music's exuberance and mystery, and her strikingly warm, woody tone helps Hindemith's melodies to sing.¡±

    International Record Review, April 2014

    ¡°Zimmermann, as in the first volume of this estimable complete viola series, has the measure of this moreish music, playing with technical command and innate sensitivity and bravura¡±

    Gramophone Magazine, May 2014

    ¡°Zimmermann's tone is full but not over-rich, as if she herself had grown out of the instrument rather than learnt to play it...her conception of the works in the round ultimately compels appreciation. With superb sound from Myrios, I must - reluctantly, out of respect for Imai and Power - recommend this new set as quite simply the best.¡±