테레사 페레즈의 첼로 스위트 사운드 ; TERESA PEREZ / SWEEEEET SOUNDS (DXD)
상품분류 크로스오버 (Crossover)
제조사 FIM
제조국 U.S.A
고유번호 GSDXD005
총평점   [감상기 작성] [감상기 보기(1)]
판매가 46,900원
적립금 469원
카드결제 [무이자할부안내] (위탁/중고제품은 카드결제 미적용)
배송비 3,000원 (50,000원 이상 구매시 무료)
주문수량
  • 크로스오버 첼로 테레사 페레즈의 멋진 연주를 들을 수 있는 앨범.
  • 재즈, 클래식 등 다양한 작품을 재즈나 크로스오버 또는 색다른 편곡으로 연주되는 음반이다.
  • DXD로 리마스터링 되면서 확실히 고음은 명료하게 들리며 전체적으로 균형 잡힌 음질을 들려준다. 특히 첼로의 유려함이 더욱 빛난다.
  • DXD 24-bit 352.8 kHz 샘플링 레이트로 마스터링 99.9999% Silver
  • [ 수 록 곡 ]

    1. Sweet Sounds (from String Quartet Serenades by J. Haydn)
    2. Hungarian-Latin Double Dance (from Hungarian Dance No. 5 by J. Brahms)
    3. Schubert Song (based on Ave Maria)
    4. Up a Lazy River (H. Carmichael)
    5. Chinese Romance (based on Faded Memory and Autumn Moon over a Placid Lake)
    6. Melody Transformed (based on Melody by A. Rubinstein)
    7. Summertime (G. Gershwin)
    8. Georgia On My Mind (H. Carmichael)
    9. Von Weber's Soundweb (based on Adagio and Rondo)
    10. Largacel - Agustin Lara (based on Granada)

    Bonus Tracks:

    11. Swan (Camille Saint-Saens)
    12. Farewell



    Teresa Perez, cello
    All Star Percussion Ensemble
    John Whitney Jazz Trio
    Harold Farberman, conductor


    A star-studded album, extremely beautiful cello and orchestral rare gem. This is the new and upgraded version of "Crossover Cello", possibly the best album in the Golden String catalog.

    Arranged by Maestro Harold Farberman, and under his baton, these pieces were played by Teresa Perez with wonderful ingenuity and improvisation; in addition, she was supported by two brilliant groups: the All Star Percussion Ensemble and the John Whitney Trio. The music was arranged by Maestro Farberman to blend together classical masterpieces with luscious jazz accompaniment, creating a pleasing crossover of two musical genres. Under his baton, the trio produced sweet and delightful music certainly deserving of the title, “Sweet Sounds.”

    Harold Farberman (b. November 2, 1929) is an American conductor, composer, and percussionist. He studied percussion at Juilliard and composition at the New England Conservatory and at Tanglewood with Aaron Copland. In 1951, he joined the Boston Symphony Orchestra as the youngest player ever to become a full-time member of the orchestra.