파격적인 가격으로 선보이는 채널 클래식스의 멀티채널 하이브리드(Hybrid) SACD입니다..

SACD 최고의 베스트셀러로 자리잡은 [비스펠베이의 첼로 명곡집]에서 [레이첼 포저가 연주하는 비발디 바이올린 협주곡 dp.4]까지, 채널 클래식의 베스트 트랙을 모아 놓았습니다..

이 한장이면 SACD의 모든 매력을 만끽할 수 있으며, 유명한 스피커 회사인 비엔나 어쿠스틱스(Vienna Acoustics)의 제작자가 자신이 들어본 음반중 최고의 멀티채널 녹음이라고 극찬을 아끼지 않은 음반입니다..

혁신적인 음질과 파격적인 가격으로, 채널 클래식의 뛰어난 음악성을 지닌 아티스트들의 고음질 음반을 즐겨보시기 바랍니다..

[Track List]

1. CCS SA 19503
Rachel Podger, baroque violin & Arte Dei Suonatori
A. Vivaldi - La Stravaganza
Concerto in G major, opus 4 no. 3 •Allegro

2. CCS SA 18902
The Gents - The Gentlemen of the Chapel Royal
R. Parsons •Ave Maria

3. CCS SA 18602
Pieter Wispelwey, violoncello & Paolo Giacometti, piano
C. Franck - Sonata in A major •Recitativo-Fantasia

4. CCS SA 19002
Trevor Pinnock, harpsichord & Rachel Podger, baroque violin
& Jonathan Manson, viola da gamba
J. Ph. Rameau - Pièces de Clavecin en Concerts
Premier Concert •La Livri

5. CCS SA 17002
Johannette Zomer, soprano & Cappella Figuralis
Love & Lament
C. Monteverdi •Lamento della Ninfa

6. CCS SA 17802
Paolo Giacometti, piano & The Arnhem Philharmonic
R. Schumann - Pianoconcerto in a, opus 54
•Intermezzo: andantino grazioso

7. CCS SA 19102
Florilegium - G. Ph. Telemann - Tafelmusik
Ouverture - Suite in E minor •Lentement-Vite-Lentement

8. CCS SA 16501
Pieter Wispelwey, violoncello &
Die Deutsche Kammerphilharmonie Bremen
C. Saint-Saëns - Cello Concerto no.1 in A minor, opus 33
•Allegro non troppo

9. CCS SA17602
The Locke Consort - J. Jenkins - Fantasias & Airs
•No. 2 in a minor

10. CCS SA 17202
Alfredo Marcucci, bandoneón & Ensemble Piacevole
Touched by Tango
Astor Piazzolla: •Anxiety

11/12 CCS SA 18102
The Netherlands Bach Society
W.A. Mozart – Requiem in D minor KV 626
•III Sequenz - no. 3 Rex tremendae &
•VIII Communio - Lux eterna

13. CCS SA 17102
Pieter Wispelwey, violoncello
B. Britten – Three suites for violoncello solo
Suite no. 3, opus 87
•Barcarola & Dialogo

14. CCS SA 17502
Dejan Lazic, piano
M. Ravel - Retrospection
Le Tombeau de Couperin •Toccata - Vif

15. CCS SA 18302
Mieneke van der Velden, pardessus de viole &
Glen Wilson, harpsichord
F. Couperin - Pièces de viole - Concerts 3 & 11
Onzième Concert - Les Gouts-Réunies •Seconde Allemande

16. CCS SA 17002
Johannette Zomer, soprano & Cappella Figuralis
Love & Lament
G. Carissimi •Historia di Jephte

17. CCS SA 19503
Rachel Podger, baroque violin & Arte Dei Suonatori
A. Vivaldi - La Stravaganza
Concerto in D major, opus 4 no. 11
•Allegro

This is the first SACD compilation disc of the 14 releases from Channel Classics. There is a normal CD layer on this CD for those who do not have a SACD player (or for listening with a walkman and in the car). How does one describe the difference in sound quality between normal CD and SACD? It is not just a difference between sampling the sound from 44 thousand times a second to 2.8 million. To me, listening in SACD stereo immediately gives that feeling of openness. Depth of sound. The total clarity of the instruments. And of course the large dynamic range. The music is not a block of sound from the speakers but it seems to be there without being able to touch it. For those of you that have multichannel, the sensation of sitting in the concert hall can now be experienced. There are no rules for creating multichannel recordings but my goal has been to reproduce the acoustic characteristics of the performance space. To create the feeling of sitting in the fourth row. One is not conscious of the surround speakers (only by switching them off would you immediately hear the effect). SACD multichannel creates more emotion in the music – no matter where you sit because it is not necessary to sit in the ‘hot spot’ (middle of the triangle from your speakers) to experience this ‘emotion’.