CD/DVD°¨»ó±â ¸ñ·Ïº¸±â
 MLP SACD Áß °è¸¤À̳׿ä
 ¹øÈ£ : 2039 | ID : jhsong66 | ±Û¾´ÀÌ : ¼ÛÁ¾È£ | Á¶È¸ : 3116 | Ãßõ : 156
¾ß³ë½º ½´Å¸Ä¿ / µåº¸¸£ÀÛ: ÿ·Î ÇùÁÖ°î & Â÷ÀÌÄÚÇÁ½ºÅ°: ·ÎÄÚÄÚ º¯ÁÖ°î ; Janos Starker / Dvorak: Cello Concerto & Tchaikovsky: Rococo Variations (SACD)
17,900 ¿ø
  ¾ß³ë½º ½´Å¸Ä¿ / µåº¸¸£ÀÛ: ÿ·Î ÇùÁÖ°î & Â÷ÀÌÄÚÇÁ½ºÅ°: ·ÎÄÚÄÚ º¯ÁÖ°î ; Janos Starker / Dvorak: Cello Concerto & Tchaikovsky: Rococo Variations (SACD)
- -
  • As with the great majority of MLP's stereo releases, the actual recording was made using three microphones - a stereo pair, plus a central microphone. The LP (and subsequent CD) stereo releases mixed the center channel into the two outer channels.
  • Now - and for the first time - SACD's multichannel capability enables all three discrete channels to be present on the disc, allowing the listener to hear the recording as it was originally taped (and as it was always intended to be heard, when future technology permitted).
  • Enhancing this new opportunity is the significant additional fidelity gained through direct-to-DSD transfers from the original half-inch analog masters, via DSD's much greater resolution, frequency response and dynamic range.
  •  
     
    À̰͵µ ¾ÈÅ»·Î¶óƼÀÇ ÁöÈÖ¹ÝÀÌ´Ù. ÀÌÀ½¹Ý¿¡ ¼ö·ÏµÈ °îµé°ú À½¹ÝÀº ¿ö³« °æÀï»ó´ë°¡ ¸¹¾Æ ¹¹¶ó°í ¹¹¶ó°í ¸»ÇϱⰡ ¾î·Á¿ï »Ó´õ¶ó ±×·¯ÇÑ ´É·Âµµ ¾ø´Ù. ¹ÙÈå ¹«¹ÝÁÖ Ã¿·Î¿¡¼­ º¸¿©ÁØ ½ºÅ¸Ä¿ÀÇ ÁßÀúÀ½ÀÇ ¾Ç±â¸¦ ´Ù·ç¸é¼­ ÆÄ¿öÀÖ°í ¼ÓµµÀÖ°í ¿ªµ¿ÀûÀÎ ¿¬ÁÖ¿¡ Àλó±í¾ú´Ù. ±×·¯³ª ÀÌ Ã¿·ÎÇùÁÖ°î¿¡¼­´Â ±×·±´À³¦À» ¹ÞÁö ¸øÇÏ¿´´Ù. ¾ÈÅ»·Î¶óƼÀÇ ÁöÈÖÇÏ´Â ¿ÀÄɽºÆ®¶óÀÇ ¿¬ÁÖ°¡ ¼Ò¸®°¡ Ä¿¼­ ±×·±Áö ¿ø·¡ ÀúÀ½¿¡ °¡±î¿î ÿ·Î¶ó ´ë±Ô¸ðÀÇ »ç¿îµåÀÇ ¿ÀÄɽº¶ó¿ÍÀÇ ³ìÀ½ÀÌ ¾î·Á¿î°ÍÀÌ¶ó¼­ ±×·±Áö.... ±×·¡¼­ ¿ÀÄɽºÆ®¶óÀÇ ¼Ò¸®ÀÇ ¸·À» ¶Õ¿©¹ö¸®°Å³ª ¸ÂÀå ¶ã¼ö ÀÖ´Â ¹ÙÀ̿ø°ÀÇ °íÀ½°ú ¼ö¸¹Àº À½µéÀÇ ÆÈ·¿Æ®À» ¸¸µé¼ö ÀÖ´Â ÇÇ¾Æ³ë µé°úÀÇ ÇùÁÖ°îµéÀÌ ´õ ÀαâÀÖ´Â °ÍÀÌ ¾Æ´Ñ°¡ ÇÏ´Â »ý°¢ÀÌ µç´Ù. ½ºÅ¸Ä¿ÀÇ Ã¿·Î¼Ò¸®°¡ ¿Ö ÀÌ·¸°Ô ¹Ô¹ÔÇÏ°Ô µé¸®´ÂÁö ¸ð¸£°Ú´Ù. Àû¾îµµ ³ª¿¡°Ô´Â... ºô½º¸¶ÀÇ ´Ù¸¥ ÿ·Î ÇøÁÖ°î¹Ý¿¡¼­µµ ÿ·Î¼Ò¸®°¡ ¹Ô¹ÔÇÏ°Ô µé·ÈÁö¸¸, ¾Æ³Ê ºô½º¸¶ÀÇ ´Ù¸¥ ¾Ù¹üÀ» º¸¸é µ¶ÁÖ¿¡¼­µµ ¿ø·¡ ±×ÀÇ Ã¿·Î¼Ò¸®°¡ ¼¶¼¼ÇÏÁö¸¸ ¼Ò¸®°¡ ¹Ô¹ÔÇÑ ½ºÅ¸ÀÏÀ̶ó °Á ±×·¯·¯´Ï Çߴµ¥... Áö±Ý±îÁö ¸ð¾Æ¿Â MLP °¡ °¡ 8 ÀåÁ¤µµ µË´Ï´Ù
    ³ÑÃijª´Â À½¹ÝÀ¸·Î ÀÎÇØ, Æú Æä·¹ÀÌ ÁöÈÖÀÇ »þºê¸®¿¡ °üÇö¾ÇÁýÀº ¾ÆÁ÷µµ °è¼Ó ¹Ì °³ºÀÀÌ´Ù. ¹ÙÀÌ·± Àç´Ï½ºÀÇ ¶óÈå ÇǾƳë ÇùÁÖ¹ÝÀº ´Ù¸¥ °æÀïÀ½¹Ý¿¡ ȤÇÏ¿©¼­ ¼±¶æ ±¸ÀÔÇÏÁö ¸øÇÏ°í ÀÖ´Ù. ´õ ¸ðÀ»»ý°¢µµ ÇÏ¿© º¸¾Ò´Âµ¥, ³Ê¹«³ª ¾ÈÅ»µµ¶óƼÀÇ ÁöÈÖ°¡ ´ëºÎºÐÀ̶ó ÀÚÁßÇÏ°í ÀÖ´Ù. ÆÄÀο¡À̺꿡¼­ MLP SACD °¡, ´ëºÎºÐÀÌ °¡°ÝÀÌ ³»·Á°¡¼­ ±¸ÀÔÇϱ⵵ ÁÁÀº±âȸÀ̱⵵ ÇÏ´Ù. ¹ÙÈå ¹«¹ÝÁÖ´Â °ÅÀÇ mlp sacd ÇÊû¿¡ °¡±î¿î °ÍÀÌ°í, ·Î¸Þ·ÎÀÏ°¡ÀÇ Å¬·¡½Ä ±âŸ¿Í ÇùÁÖ¹Ý, ÁÖÆäÀÇ ¼­°îÁý, ·¹½ºÇDZâÀÇ ¿¾¾Æ¸®¿Í ¹«°î µîÀº °³ÀÎÀûÀ¸·Î ²À ÃßõÇÏ°í ½Í´Ù. ¹ß¶ö¶óÀÌÄ« À½¹ÝÀº ³ª¸§´ë·Î Ư»öÀÖÀ¸³ª »ç¶÷¸¶´Ù ¼±È£ÇÏÁö ¾ÊÀ»¼öµµ Àִ Ư¼ºÀÌ ÀÖ°í, ¸²½ºÅ°,º¸·Îµò ÀÛÇ°Àº °¡¿îµ¥ ÀÖ´Â °îµé¸¸ Áö·çÇÏÁö ¾ÊÀ¸¸é ¸í¹Ý¿¡ °¡±î¿î ¾Ù¹ü(¿Àµð¿À ÆÄÀÏÀûÀ¸·Î)À̶ó°í ¸»ÇÏ°í ½Í´Ù. ¸¶Áö¸· Æ®·¢ÀÇ Æú·Îº£Ã÷ÀÎÀÇ ÃãÀº ÀÌ À½¹ÝÀÇ ¾Æ½¬¿î Á¡À» ´Ù Ä¿¹öÇÏ°í ÀÖÁö¸¸¼­µµ...

    ¸ñ·Ïº¸±â  ÃßõÇϱâ

    Á¤Á¤

      À½¹ÝÀÌ 100% ¸¾¿¡ µé±â´Â Èûµé´õ±º¿ä.
    Àúµµ ½´Å¸Ä¿ÀÇ ¿¬ÁÖ¸¦ ¸¸³£Çϱ⿡´Â ¾Æ½¬¿î µí Çß½À´Ï´Ù.
    ±×·¸Áö¸¸.. °°Àº ·¹ÆÛÅ丮ÀÇ ´Ù¸¥ ¿©Å¸ÀÇ À½¹Ýº¸´Ù´Â ÁÁÀº ´À³¦ÀÌ´øµ¥¿©..

    fineAV

      ÁÁÀº Á¤º¸°¡ µÇ´Â °¨»ó±â °¨»çÇÕ´Ï´Ù. °¨»çÀÇ ¶æÀ¸·Î ¼ÒÁ¤ÀÇ Àû¸³±ÝÀ» Àû¸³ÇØ µå¸®µµ·Ï ÇÏ°Ú½À´Ï´Ù.

    ¼ÛÁ¾È£

      µåº¸¸£ÀÛÀº ÀçŬ¸° µÚÇÁ·¹°¡ ¿¬ÁÖ°¡ ÈξÀ ÁÁ¾ÒÀ¾´Ï´Ù.
    À½ÀÇ ¹ë·±½º¹®Á¦ °°Àº »ý°¢µµ ÇÏ¿©º¾´Ï´Ù.. µÚÇÁ·¹ ¿¬ÁÖµéÀº Á¤¸» ¾Ö»ó¹ÌÀÇ ±ØÄ¡ÀÔ´Ï´Ù.

    Á¤Á¤

      ¾Æ!! ±×·¸±º¿ä.. ²À Çѹø µé¾îº¸µµ·Ï ÇÏ°Ú½À´Ï´Ù. ±×·¯°í º¸´Ï ÀçŬ¸° À½¹ÝÀº »ç¾ßÁö Çϸ鼭 ´Ã µÚ·Î ¹Ì·ç°í´Â Çß½À´Ï´Ù. XRCD°¡ °¡Áö°í ½Í¾î¼­.. ¤Ì.¤Ì;;;

    ¼ÛÁ¾È£

      xrcd À½¹ÝÀº Àú´Â Çϳªµµ ¾øÀ¾´Ï´Ù. ±×·¯³ª ²À ¸î°³ ±¸ÀÔÇÏ°í ½Í½À´Ï´Ù. ¸®Ä¡ÀÇ ¹ÙÀ̿ø°À½¹ÝÀº Á¤¸» ¿å½ÉÀÌ ³³´Ï´Ù.
    µ·À» ¿­½ÉÈ÷ ¸ð¾Æ¼­ ³ªÁß¿¡,
    ÇØ¿Ü¿¡¼­ 2-3°³ Á¤µµ ÁÖ¹®ÇÒ »ý°¢ÇÕ´Ï´Ù.

    Á¤Á¤

      ·çÁ¦·Î ¸®Ä¡¿ä.. Á¤¸» °¨¸í±íÁö¿ä.
    ÷ µé¾úÀ» ¶§ ¿ÏÀüÈ÷ Ãæ°ÝÀ̾ú½À´Ï´Ù.
    Áö±Ý µé¾îµµ "¿ª½Ã" ÇÏ´Â ¸»ÀÌ Àý·Î ³ª¿É´Ï´Ù.

      ÿ·Î¸¦ ÁÁ¾ÆÇÏ´Â Àú¿¡°Ô´Â ´õ ¾ø´Â ¼±ÅÃ!! (6)
      ´ëÀÛÀÔ´Ï´Ù.... (3)
      ¸ñ·Ïº¸±â